How perspective-taking underlies creative thinking and the socio-emotional competency in trainings of drama pedagogy
Como a tomada de perspetiva está subjacente ao pensamento criativo e à competência sócio-emocional na formação em pedagogia dramática
Estud. Psicol. (Campinas, Online); 39 (), 2022
Publication year: 2022
Policy-makers and scholars agree that creativity and socio-emotional competencies can be taught, learned, and enhanced through creative arts like theatre. Nevertheless, few authors have studied the processes underlying both constructs in artistic education, which would permit to understand how children develop them and re-create adapted methodologies. Thus, we proposed to observe a drama pedagogy training for elementary school children, evaluating their creative thinking and theory-of-mind. To understand perspective-thinking as a process underlying creative thinking and theory-of-mind in the context of drama pedagogy training. Quasi-experimental pre-post-test design. Standardized tests analysis, plus thematic analysis from observation of 240 minutes recording of drama pedagogy training. Higher increase in creative thinking with a strong effect of drama pedagogy training on divergent thinking. Thematic analyses showed that drama pedagogy training activities focus mainly on socio-emotional competency (linked to theory-of-mind). Perspective-taking appears as an underlying process that explains both creative thinking and the development of socio-emotional competencies by permitting the child to see from another person's perspective, providing several ideas-solutions for a problem (creative thinking), as well as understanding other people's emotions and motivations (theory-of-mind).
Os legisladores e estudiosos concordam que a criatividade e a competência socioemocional podem ser ensinadas, aprendidas e aprimoradas através das artes criativas, como o teatro. No entanto, poucos autores estudaram os processos subjacentes a ambas as construções na educação artística, o que permitiria compreender como as crianças as desenvolvem e, assim, recriar metodologias adaptadas. Assim, propõe-se, através deste estudo, observar um Treinamento de Pedagogia Teatral para crianças do ensino fundamental, avaliando no pensamento criativo e teoria da mente ds crianças. Tem por objetivo entender o pensamento prospectivo como um processo subjacente ao pensamento criativo e à teoria da mente no contexto do Treinamento da Pedagogia Teatral.